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Count Studio

Ballroom, swing and tango

Waltz, foxtrot, quickstep, Latin ballroom, swing in 6s and 8s, tango and line dance.

Ballroom

Waltz, foxtrot, quickstep and tango: slows and quicks. Ballroom on the blog

Waltz

Meter
3/4
Grouping
3
Tempo
84–90 BPM
Lead-in
1 2 3
Styles
waltz, slow waltz, english waltz

'1 2 3' with the rise and fall over the bar.

Where it comes from

  • ISTD Ballroom technique (slow and quick timing)
  • WDSF competition rules tempo table (bars per minute), converted to beats per minute

Viennese waltz

Meter
3/4
Grouping
3
Tempo
174–180 BPM
Lead-in
1 2 3
Styles
viennese waltz

Fast 3/4, rotating turns.

Where it comes from

  • ISTD Ballroom technique (slow and quick timing)
  • WDSF competition rules tempo table (bars per minute), converted to beats per minute

Foxtrot

Meter
4/4
Grouping
2+2+1+1
Tempo
112–120 BPM
Styles
foxtrot, slow foxtrot, social foxtrot

Social 'slow slow quick quick' (6 beats, crossing bars). Ballroom figures use 'slow quick quick'.

Where it comes from

  • ISTD Ballroom technique (slow and quick timing)
  • WDSF competition rules tempo table (bars per minute), converted to beats per minute

Quickstep

Meter
4/4
Grouping
2+1+1
Tempo
200–208 BPM
Styles
quickstep

'Slow quick quick' with chassés and hops.

Where it comes from

  • ISTD Ballroom technique (slow and quick timing)
  • WDSF competition rules tempo table (bars per minute), converted to beats per minute

Tango (ballroom)

Meter
2/4
Grouping
2+2+1+1+2
Tempo
124–132 BPM
Lead-in
5 6 7 8
Styles
ballroom tango

'Slow slow quick quick slow' over two bars of 2/4. Tempo is in eighths (31-33 bars per minute).

Where it comes from

  • ISTD Ballroom technique (slow and quick timing)
  • WDSF competition rules tempo table (bars per minute), converted to beats per minute

Latin ballroom

Rumba, samba, jive and paso doble counts. Latin ballroom on the blog

Rumba

Meter
4/4
Grouping
4+4
Tempo
96–108 BPM
Lead-in
1 2 3 4
Styles
rumba, ballroom rumba

Count '2 3 4-1': quick, quick, slow, the slow taking 4 and 1.

Where it comes from

  • ISTD Latin American technique (timing and counts)
  • WDSF competition rules tempo table (bars per minute), converted to beats per minute

Samba

Meter
2/4
Grouping
2+2
Tempo
96–104 BPM
Lead-in
1 2 3 4
Styles
samba, ballroom samba

'1 a 2' bounce: the 'a' is the last quarter of the beat (3/4, 1/4, 1 timing).

Where it comes from

  • ISTD Latin American technique (timing and counts)
  • WDSF competition rules tempo table (bars per minute), converted to beats per minute

Jive

Meter
4/4
Grouping
2+2+2
Tempo
168–176 BPM
Lead-in
1 2 3 4
Styles
jive, ballroom jive

Ballroom count '1 2, 3 a 4, 3 a 4' (rock step, two chassés). Socially counted '1 2 3a4 5a6'.

Where it comes from

  • ISTD Latin American technique (timing and counts)
  • WDSF competition rules tempo table (bars per minute), converted to beats per minute

Paso doble

Meter
2/4
Grouping
2+2+2+2
Tempo
120–124 BPM
Lead-in
5 6 7 8
Styles
paso doble

March in 2/4, one step per beat; choreography phrases on 8.

Where it comes from

  • ISTD Latin American technique (timing and counts)
  • WDSF competition rules tempo table (bars per minute), converted to beats per minute

Swing

East Coast, West Coast and Lindy hop: 6- and 8-counts. Swing on the blog

East Coast swing (triples first)

Meter
4/4
Grouping
2+2+2
Tempo
120–180 BPM
Lead-in
5 6
Styles
east coast swing, jitterbug

Triple, triple, rock step: '1&2 3&4 5 6'.

Where it comes from

  • Swing dance teaching: 6- and 8-count patterns with triple steps '3&4' and swung eighths (Frankie Manning's Lindy hop teaching tradition)

East Coast swing (rock step first)

Meter
4/4
Grouping
2+2+2
Tempo
120–180 BPM
Lead-in
5 6
Styles
east coast swing, jitterbug

Rock step first, as often taught to beginners: '1 2 3&4 5&6'.

Where it comes from

  • Swing dance teaching: 6- and 8-count patterns with triple steps '3&4' and swung eighths (Frankie Manning's Lindy hop teaching tradition)

West Coast swing 6-count

Meter
4/4
Grouping
2+2+2
Tempo
80–130 BPM
Lead-in
5 6
Styles
west coast swing

'1 2 3&4 5&6' with the anchor step on 5&6 (sugar push, passes).

Where it comes from

  • West Coast Swing: WSDC and US Open teaching; 6- and 8-count patterns ending in an anchor step

West Coast swing 8-count

Meter
4/4
Grouping
2+2+2+2
Tempo
80–130 BPM
Lead-in
5 6 7 8
Styles
west coast swing

Whips: '1 2 3&4 5 6 7&8' with the anchor on 7&8.

Where it comes from

  • West Coast Swing: WSDC and US Open teaching; 6- and 8-count patterns ending in an anchor step

Lindy hop 8-count

Meter
4/4
Grouping
2+2+2+2
Tempo
110–260 BPM
Lead-in
5 6 7 8
Styles
lindy hop, swing

Swing out: rock step, triple, step step, triple ('1 2 3&4 5 6 7&8').

Where it comes from

  • Swing dance teaching: 6- and 8-count patterns with triple steps '3&4' and swung eighths (Frankie Manning's Lindy hop teaching tradition)

Lindy hop 6-count

Meter
4/4
Grouping
2+2+2
Tempo
110–260 BPM
Lead-in
5 6
Styles
lindy hop, swing

6-count patterns: '1 2 3&4 5&6'.

Where it comes from

  • Swing dance teaching: 6- and 8-count patterns with triple steps '3&4' and swung eighths (Frankie Manning's Lindy hop teaching tradition)

Charleston 8-count

Meter
4/4
Grouping
4+4
Tempo
140–280 BPM
Lead-in
5 6 7 8
Styles
charleston, lindy hop, swing

Kick-step Charleston on 8 counts, solo or partnered.

Where it comes from

  • Swing dance teaching: 6- and 8-count patterns with triple steps '3&4' and swung eighths (Frankie Manning's Lindy hop teaching tradition)

Balboa

Meter
4/4
Grouping
4+4
Tempo
170–320 BPM
Lead-in
5 6 7 8
Styles
balboa, pure bal, bal-swing

Up-hold basic: three steps and a hold (lift) on 4 and 8.

Where it comes from

  • Balboa teaching from the Southern California tradition (up-hold basic)

Argentine tango

Tango, milonga and vals: the beat and the phrase. Argentine tango on the blog

Argentine tango

Meter
4/4
Grouping
4+4
Tempo
55–75 BPM
Lead-in
5 6 7 8
Styles
argentine tango, tango

8-count basic (salida). Tempo is the walking pulse.

Where it comes from

  • Argentine tango teaching (Buenos Aires milonga tradition): walking on the beat, milonga traspié, vals danced on the 1

Milonga (traspié)

Meter
2/4
Grouping
2+2
Tempo
80–115 BPM
Lead-in
1 2 3 4
Styles
milonga, argentine tango

Traspié: 'quick quick slow' doubling the step on '1 & 2'.

Where it comes from

  • Argentine tango teaching (Buenos Aires milonga tradition): walking on the beat, milonga traspié, vals danced on the 1

Tango vals

Meter
3/4
Grouping
3
Tempo
180–225 BPM
Lead-in
1 2 3
Styles
vals, argentine tango

Danced mostly on the 1 of each bar, sometimes on 1 and 3.

Where it comes from

  • Argentine tango teaching (Buenos Aires milonga tradition): walking on the beat, milonga traspié, vals danced on the 1

Line and country

Two-step, walls of 32, 48 and 64, tags and restarts. Line and country on the blog

Line dance 32-count

Meter
4/4
Grouping
4+4
Tempo
80–160 BPM
Lead-in
5 6 7 8
Styles
line dance, country

A 32-count wall: 4 eights, then the dance turns to the next wall. Tags and restarts go in a phrase sequence.

Where it comes from

  • Line dance step sheets: dances described by count (32, 48, 64) and walls, with tags and restarts (UCWDC and step-sheet convention)

Line dance 48-count

Meter
4/4
Grouping
4+4
Tempo
80–160 BPM
Lead-in
5 6 7 8
Styles
line dance, country

A 48-count wall: 6 eights, then the dance turns to the next wall. Tags and restarts go in a phrase sequence.

Where it comes from

  • Line dance step sheets: dances described by count (32, 48, 64) and walls, with tags and restarts (UCWDC and step-sheet convention)

Line dance 64-count

Meter
4/4
Grouping
4+4
Tempo
80–160 BPM
Lead-in
5 6 7 8
Styles
line dance, country

A 64-count wall: 8 eights, then the dance turns to the next wall. Tags and restarts go in a phrase sequence.

Where it comes from

  • Line dance step sheets: dances described by count (32, 48, 64) and walls, with tags and restarts (UCWDC and step-sheet convention)

Country two-step

Meter
4/4
Grouping
1+1+2+2
Tempo
140–200 BPM
Lead-in
5 6
Styles
two-step, texas two-step, country

'Quick quick slow slow' over 6 beats.

Where it comes from

  • Country western dance teaching (UCWDC two-step timing)

Also in this family

Hustle

Meter
4/4
Grouping
3
Tempo
110–125 BPM
Lead-in
&
Styles
hustle, disco

'& 1 2 3': three-beat pattern over 4/4 music; the '&' at the end leads into the next 1.

Where it comes from

  • New York disco hustle teaching ('&1 2 3' count)

12/8 in four (3+3+3+3)

Meter
12/8
Grouping
3+3+3+3
Tempo
150–330 BPM
Styles
blues dance, slow 12/8, doo-wop, 6/8 ballad

Twelve eighths in four dotted beats: '1 2 3 4 5 6 7 8 9 10 11 12', a step on each 1, 4, 7 and 10. Tempo is in eighths; the dotted beat runs at a third of it.

Where it comes from

  • Blues and slow-swing dance teaching: 12/8 shuffle felt in four dotted beats
  • Standard music theory: compound quadruple meter 12/8 (four dotted-quarter beats)